2018 Awardee: Ewan Miller

"This award has provided me with what I have always desired: the ability to work tirelessly and completely on becoming a professional actor...From the bottom of my heart, thank you"

Biography

Ewan was born in the Scottish Highlands and moved between parents on the East and West Coast of Scotland whilst growing up. In his final year of secondary school he made the move to Ullapool, where he was introduced to acting in a production of Shakespeare’s Romeo and Juliet. This proved to be a life-changing experience for Ewan, who found such resonance in his role as an actor that this resulted in a shift of mind set and a new trajectory for his ambitions.

Ewan auditioned for the Royal Scottish Academy of Music and Drama (RSAMD), and although he reached the final stage of auditions, he was encouraged to gain a little more life experience first. In response to this suggestion, Ewan completed a one year course at Telford College in Edinburgh, then worked with the Scottish Youth Theatre and Mary McCluskey, touring around Scotland with a show written by Brian Cosgrove. After the tour, Ewan completed an Honours Degree whilst working to support himself in his studies.

After an intense audition season in 2017/18, Ewan gained places and scholarships to many of the UK’s top drama schools. He chose to study at the Royal Conservatoire of Scotland, and having continued to develop his technique as an actor has been recognised as an exceptional student by his teachers:

‘From the second that Ewan arrived at RCS it was clear that he was very talented, committed, extremely reliable, and hardworking student – he stood out immediately. He is an exceptional student and wonderful person and he is a joy to work with. He is a real artist.’ – Katya Kamotskaia, Acting Lecturer, RCS

Ewan has also performed the leading role in a short film that has experienced some international success and continues to look for roles that challenge and develop his playing diversity, a challenge that he is enjoying at drama school. The director of SKIN (2017), Alasdair Boyce, stated:

‘Ewan very quickly grasped the complexities of the character and was able to adeptly interpret them into his performance. Despite a primarily stage based background Ewan adapted very quickly to the process of acting for screen. I was initially concerned that his performance may be too theatrical for the sullen and brooding fisherman but Ewan very quickly dispelled these concerns by delivering a masterfully understated performance in which he very convincingly and emotively managed to say everything without saying anything – a technique that I find crucial to dramatic realism.’

Ewan is now set on achieving his unwavering ambition to become a professional and versatile Scottish actor for film, stage and television.

How the Award Helped

Ewan received a Dewar Arts Award to support him in his studies at the Royal Conservatoire of Scotland.

He says;

‘This award has provided me with what I have always desired: the ability to work tirelessly and completely on becoming a professional actor and the skillset that I see necessary for this. It has removed the pressures that can be added by life and, in place of them, given me freedom and space to focus all of my energy on the work. Being given this opportunity, after having to wait with burning ambitions, means so much to me that I am deeply moved whenever I spend any time thinking about it. It is both rare and wonderful and so deeply appreciated. It is actually very difficult to put into words how it feels. I just look forward to showing how I have used the resulting freedom, space and time provided by the award as it is already having such an enormous influence on the craft I am developing at the Royal Conservatoire of Scotland. From the bottom of my heart, thank you.’

"This award has provided me with what I have always desired: the ability to work tirelessly and completely on becoming a professional actor...From the bottom of my heart, thank you"

2018 Awardee: Hugh Mackay

"The generous support of this organisation has provided much needed security while I pursue my studies"

Biography

Hugh Mackay is a Scottish cellist whose musical life comprises many different areas of performance including chamber music, orchestral playing and historically-informed performance. He has played in leadings festivals including The BBC Proms, Enescu Festival (Bucharest) and Festival Berlioz (France), and venues such as the Royal Albert Hall, Queen Elizabeth Hall and The Palace of Versailles.

Hugh received his formative education at St. Mary’s Music School (Edinburgh), where he studied with Ruth Beauchamp, Philip Higham and William Conway. In 2017, he gained a place to study with Hannah Roberts and Jonathan Manson at the Royal Academy of Music in London, where he was awarded the Yadegar-Hall Scholarship.

In 2019, Hugh was selected for the Orchestra of the Age of Enlightenment’s Experience Scheme, working with the orchestra throughout 2019 including concerts at the Enescu Festival in Bucharest. He has worked with many leading conductors such as Trevor Pinnock, Thomas Adès, Edward Gardner, John Wilson, Masaako Suzuki, Nicholas Collon, and Ryan Wigglesworth, and enjoys a variety of freelance engagements, such as playing as an inaugural member of the London Contemporary Music Festival Orchestra on BBC Radio 3 in December 2018.

Hugh was the co-principal cellist of the National Youth Orchestra of Great Britain, exposing him to the leading British venues as well as recording works by Strauss and Holst for Chandos Records. In 2017 he played at the Festival Berlioz in La Côte-Saint-André, France with the NYO, playing Stravinsky’s ‘The Rite of Spring’ under the direction of Gerry Cornelius.

Hugh has performed chamber works at Kinnordy Chamber Music Festival, Petworth Festival, Brighton Early Music Festival, Hatfield Festival and Virtuoso & Belcanto Festival (Lucca) and also the Hatworth Festival.

How the Award Helped

Hugh’s Award supported him in his studies at the Royal Academy of Music, London.

Since the Award

2019: 1st Prizewinner of the 2019 Isaacs Pirani Piano Trio Competition (RAM)  alongside colleagues Manuel De Almeida-Ferrer and Wouter Valvekens.

2020: 1st Prizewinner of the 2020 May Mukle Cello Sonata Prize (Royal Academy of Music) alongside duo partner, Junyan Chen

"The generous support of this organisation has provided much needed security while I pursue my studies"

2018 Awardee: Aileen Sweeney

"Being able to study a postgraduate degree will open up so many more career opportunities for me...I will always be incredibly grateful"

Biography

Aileen is an accordionist and pianist of formidable talent and keen imagination. She has performed works by composers such as Dr. Gareth Williams and Dr. Emily Doolittle with some of the leading contemporary music ensembles in Scotland, including The Glasgow New Music Expedition, Ensemble Thing and NOISE Opera, whilst also working alongside the young composers in the RCS Junior Conservatoire.

In 2012 and 2013 Aileen won First Prize in the UK Accordion Senior Recital and Second Prize in the International Accordion Championship Open Solo. In 2016, she founded the folk-fusion band Eriska which she performs with regularly across Scotland, having just released their debut album.

Aileen studied a Bachelor of Music in Classical Accordion and Composition at the Royal Conservatoire of Scotland. In her first year, she was awarded the Tony and Tania Webster Prize for Rare Russian Music. In her third year, she was awarded the Dunbar-Gerber Prize for Chamber Music.

https://soundcloud.com/aileen-sweeney-2

In 2018, Aileen performed Piazzolla’s Concerto for Bandoneon with orchestra conducted by David Watkin as a finalist of The Edinburgh Festival Concerto Competition.  She also became the inaugural recipient of the Geddes-Peterson composition prize at RCS. As the winner, Aileen was asked to write an orchestral work in John Maxwell Geddes’ memory which was performed at his memorial concert.

Aileen graduated from the RCS with First Class Honours, and went on to study at postgraduate level. Her works have been performed by the likes of the Red Note ensemble, RCS Music Lab and the Psappha ensemble.

How the Award Helped

Aileen’s Dewar Arts Award supported her postgraduate studies at the Royal Conservatoire of Scotland.

"Being able to study a postgraduate degree will open up so many more career opportunities for me...I will always be incredibly grateful"

2018 Awardee: Isabelle Thomson

"I am extremely grateful to have received this award...and to work towards my ambitions full time. As an emerging artist, it is very encouraging to know you are being supported."

Biography

Isabelle is a gifted and idiosyncratic artist, who was born in Inverness and grew up in the Highlands of Scotland.

In 2016, Isabelle graduated from Gray’s School of Art with a First Class BA (Hons) in Painting. Whilst at Gray’s, she was awarded a Cross Trust Vacation Award which she used to travel to Iceland to collect visual research. This trip was the catalyst for her fourth year work and degree show.

After graduating from Gray’s, Isabelle was one of the selected Graduates in Residence at Leith School of Art. At the 2016 Visual Arts Scotland annual exhibition she won the Great Art Award.

In 2018, Isabelle exhibited in London at both the Lynn Painter-Stainers Prize in the Mall Galleries and at Fully Awake in the Royal College of Art. She also received an award to undergo one-to-one animation tutorials from Highland Visual Artist & Craft Maker Award Scheme and won a Hope Scott Trust Award to for research in Canada.

Isabelle’s oil paintings often include text and other materials. She paints to understand the value of the wilderness: to reawaken our slow and essential ‘mountain time’.

How the Award Helped

Isabelle received a Dewar Arts Award to enable her to work in a Wasp’s Artist’s Studio in Inverness for a year. This enabled her to build a new body of work from her time in Canada and Scotland, and to further develop the use of animation within her practice, with the aim of using this to apply for a Masters Degree in Fine Art.

"I am extremely grateful to have received this award...and to work towards my ambitions full time. As an emerging artist, it is very encouraging to know you are being supported."

2018 Awardee: Jean Oberlander

"I am so grateful for the continued support in my education, it means so much to me"

Biography

Jean gained a First Class Honours Degree from Gray’s School of Art, where she studied BA Fashion and Textile Design. The course enabled her to experiment within both spheres of material and body using hand and machine knitting. Her degree collection won the Alexandrina McKenzie Legacy Award, a Highly Commended in the BP Graduate Design Award, and was selected for the Visual Arts Scotland Graduate Showcase at the Royal Scottish Academy.

In 2017 Jean moved to London after gaining a place on the MA Textiles course at the Royal College of Art, specialising in Knit. Her MA dissertation received a distinction, and she gave a paper at the “In the Loop” knitting academic conference in July 2018.

Jean continues to work between the body and space to create knitted pieces that are both familiar and unfamiliar. She uses knitting, mark making and writing in her practice to convey the metaphors of the knitted stitch. In the future, she aims to build on her MA and continue to push the boundaries in knit further.

How the Award Helped

Jean received a Dewar Arts Award to support her MA studies at the Royal College of Art.

On achieving her award, Jean said: “Without the Dewar Award I would have not been able to attend the RCA at all. The support meant I was able to pay for tuition fees and materials, without which I would have not been able to make work of any standard. I am so grateful for the continued support in my education, it means so much to me and being on this course has enabled me to build more confidence in my work as well as making connections and experimenting in a supportive and innovative environment. I am eternally grateful for the support in making sure I am able to build a better future for myself.”

"I am so grateful for the continued support in my education, it means so much to me"

2018 Awardee: Leona Craig

"I very much appreciate the financial support being given to me from The Dewar Award in order to achieve my dream. Thank you."

Biography

Leona is an exceptionally talented actor, singer-songwriter and musician who plays several instruments to an excellent standard including piano, guitar, banjo and ukulele.

From the age of 15 to17, Leona attended The Royal Conservatoire of Scotland’s (RCS) Junior Musical Theatre whilst at school. Here she undertook intensive Musical Theatre training and grew as a performer in a supportive environment. This nurtured her ambition and determination for her future career.

Leona was also a member of Perth Youth Theatre and Ad-Lib Theatre Arts, where she explored a range of acting techniques.  This led to her successfully auditioning for the role of Maria in ‘The Sound of Music’ and Fantine in ‘Les Miserables’. In 2017 she was successful in securing a place as a member of Scottish Youth Theatre’s (SYT) first National Ensemble. Here she artistically evolved whilst working with influential industry professionals and pushing creative boundaries.

Following her ensemble experience, Leona secured a job with The Family Storytime Company at SYT. This year-long position involved developing, writing, composing and producing a story to engaged a young audience in a positive learning environment. Leona discovered a passion for passing on her knowledge of drama, dance and music, whilst sparking imagination and igniting an excitement to learn.

Leona has achived ABRSM Grade 8 Piano and ABRSM Grade 8 Singing with Merit. Her dedication to developing her skills earned her a place at the prestigious Mountview Theatre School, London, to study on the BA Actor/Musician Course.

How the Award Helped

Leona’s Award enabled her to accept her place to study at the Mountview Theatre School in London.

"I very much appreciate the financial support being given to me from The Dewar Award in order to achieve my dream. Thank you."

2018 Awardee: Lois Langmead

"I am extremely grateful for the support. Without the Award I would not have been able to accept my place."

Biography

Lois moved to Glasgow in 2011 to embark on a BA (Hons) in Communication Design at the Glasgow School of Art, specialising in Illustration. She graduated in 2015 with a First Class degree. The depth of her research for her final projects made a great impression on the assessment team, both for the eloquence of her writing and the manner in which her ideas were firmly embedded and evident in her making. One of her degree show pieces, a delicate, intricate, finely worked sculptural embroidery went on to win the student Jerwood Drawing Prize for 2015. From there, she remained in Glasgow and continued to self fund her practice.

Lois has exhibited throughout the UK. She has proved herself to be a thoughtful and imaginative artist with a strong research ethic and excellent analytical skills. She is adventurous and playful with her practice, serious and personally engaged with her work and sensitive in her use of materials. This gained her a place to study on the MA Textiles Mixed Media course at the Royal College of Art, enabling her to further her practice alongside her academic development. This offered the ideal next step for Lois, who finds engagement with textiles fascinating, resourceful and experiemental.

How the Award Helped

Lois received a Dewar Arts Award to support her postgraduate studies at the Royal College of Art.

"I am extremely grateful for the support. Without the Award I would not have been able to accept my place."

2018 Awardee: Michael Gibson

"Thanks to the support of the Dewar Arts Awards, I am able to not only to complete my studies, but also begin preparing and planning the next steps in my development as a professional singer."

Biography

Glasgow born tenor, Michael Gibson, started singing at the age of 14 after much encouragement from his music teachers at Boclair Academy. It was due to their influence that Michael decided initially to follow a career as a music teacher, and went on to omplete a Bachelor of Education in Music at the Royal Conservatoire of Scotland, graduating in 2015.

During his time at RCS, Michael studied with both Gordon Wilson and Alan Watt. After completing his probationary teaching year in 2016, Michael decided to pursue his passion for performing. He gained a place to study for a Masters at the Royal Northern College of Music in Manchester, and continued on to an Advanced Postgraduate Diploma with Peter Alexander Wilson.

Michael’s operatic roles include Rinuccio (Gianni Schicchi) and Le Prince Charmant (Cendrillon) at the RNCM and Tamino (Die Zauberflöte) in a semi-staged production at Shrewsbury School. In opera scenes he has performed the roles of Jaquino (Fidelio), Fenton (Falstaff), Lyonel (Martha), Tom Rakewell (The Rake’s Progress), Don Ottavio (Don Giovanni) and Fritz (L’amico Fritz). Michael was also a member of Buxton International Opera’s Young Artist Programme in 2018.

Michael’s concert engagements include Finzi Dies Natalis with the Lindsay Chamber Orchestra and the Mozart Requiem with Cantores Salicium in Bolton Abbey, Yorkshire. He regularly performs at gala concerts, both in the UK and in Europe.

In 2019, Michael joins the chorus of Glyndebourne opera festival for their productions of Il barbiere di Siviglia and La damnation de Faust. Following this, he commences further studies at the Royal College of Music’s opera school in London.

How the Award Helped

Michael’s Dewar Award supported him in completing his Advanced Postgraduate Diploma at the Royal Northern College of Music.

"Thanks to the support of the Dewar Arts Awards, I am able to not only to complete my studies, but also begin preparing and planning the next steps in my development as a professional singer."

2018 Awardee: Maja Persson

"I am extremely grateful for the Dewar award as it will help me fulfil my passion and further my career and exciting journey!"

Biography

Scottish flautist Maja is a passionate and hard working musician.

In 2014, Maja was awarded a scholarship which enabled her to complete her final two years of schooling at Douglas Academy Music School.  During that period she took part in many diverse musical events including an invitation to perform at the Confucious Institute Annual Conference in London, which coincided with the state visit of the Chinese President. She also performed at the Scottish Parliament and was invited to give a solo performance at the 2014 National Sikh Banquet, in front of invited guests and several MPs.

As a soloist, Maja performed the Ibert Flute Concerto alongside the Royal Conservatoire of Scotland Junior Symphony Orchestra in 2016 after winning the Concerto Competition held at the Junior Conservatoire.  She has undertaken masterclasses with Sir James Galway, Michael Cox and Ian Clarke.

Maya gained a place to study on the BMus Performance degree at the Royal College of Music under the tutelage of Gitte Marcusson and Simon Channing, supported by the Henry Wood Accomodation Trust.  Alongside flute, she has studied piccolo with Stewart McIlwham and at the RCS with Alison Mitchell.

Maja is an avid orchestral musician.  She has played with several orchestras including West of Scotland Schools Symphony Orchestra, Scottish Opera Connect, NYOS Symphony Orchestra and participated in the NYO Inspire Project.  She was privileged to perform with NYOS at the Royal Albert Hall 2016 Prom Season.  Since her time at RCM, she has played as principal of the RCM Philharmonic Orchestra, RCM Opera Orchestra and performed with RCM Chamber Orchestra alongside members of the Chamber Orchestra of Europe.

Maja is also a keen chamber musician and performs regularly with her wind quintet, Ardor Ensemble, as well as with many other small ensembles.

How the Award Helped

Maya received an Award to support her in undertaking her studies at the Royal College of Music.

"I am extremely grateful for the Dewar award as it will help me fulfil my passion and further my career and exciting journey!"

2018 Awardee: Maria Donohue

"Without the support of the award I would not have been able to attend this life changing experience"

Biography

From Brooklyn, New York, Maria is a pianist, improviser, and artist.

Maria studied at the Royal Conservatoire of Scotland, where she gained a First Class Honours Degree and a Masters. She went on to study a PhD at Huddersfield University under the EHRC funded project IRiMaS, researching the psychophysiological responses in group free improvisation.

Maria has performed in numerous concerts in America at Carnegie Hall, Lincoln Centre, The Lotus Club and The Brooklyn College of Music. In the UK she has performed widely, including at the Edinburgh Fringe, the Gallery of Modern Art, the Centre for Contemporary Arts, and Huddersfield Contemporary Music Festival.

The core of her work is a focus on audience. For Maria, expanding, adapting, and altering the possibilities for the audiences of live works is of utmost importance for the future of all artistic practices.  She is specifically interested in experimentations in inter-disciplinary collaborations, looking to create new possibilities for merging and adapting artistic spheres. Because of these interests, much of her work utilises improvisation to both devise and question the successful impact of her mixed artistic practice, hoping to adapt to audiences and scenarios. In her improvisations, whether sonic, visual or movement based, Maria looks to uncover and imitate the root of communication.

In her quest for inter-disciplinary experimentations, Maria is part of a number of ensembles and collaborative groups. She has worked with the Glasgow Improvisers Orchestra, Tonotopy, a collaboration on image to sound with visual artist Gino Ballantyne, and is also a Founding member of the young artist collective EAST (Experimental Artists Social Theatre) for interdisciplinary exchange of knowledge. Maria has won several awards including the Governors Recital Prize and the New Piano Stars competition. She has worked with leading improvising practitioners such as Phil Minton, Anton Pet and Trever Watts.

How the Award Helped

Maria’s Award allowed her to travel to Australia and participate in the Australian Art Orchestras CMI (Creative Music Intensive). She presented a paper and performed at the Arts Centre in Melbourne. The residency helped Maria to extend her learning of musical traditions outside of her western classical background – a crucial opportunity to immerse herself in learning outside of her expertise and develop her skills as a PhD candidate, performer and teacher.

"Without the support of the award I would not have been able to attend this life changing experience"