2022 Awardee: Kira Charleton

Kira Charleton

“Receiving an award from the Dewar Trust has honestly been life changing. It has allowed me to complete my final year of Master’s at the Royal Welsh College of Music and Drama whilst preparing for the next step in my journey. They have allowed a small town girl to keep working towards her big dreams of changing lives through music.”

Biography

Kira Charleton is a soprano singer from Ayrshire, who possesses a fresh sounding voice and the ability to sing both classical music and music theatre. Her talent and hard work earned her a place at the Royal Welsh College of Music and Drama, from where she graduated with a 1st Class Honours Degree in 2021. During her undergraduate studies, Kira was the only female candidate selected to compete and represent the college in the highly regarded, Junior Kathleen Ferrier competition. Following this, she partook in many performances, with the main highlights being selected as a finalist for the E A Redman competition and playing the Mezzo-Soprano role in the Edward Barnes opera “The Hiding Tree”.

Kira regards herself as an enthusiast who thrives in a challenge and when collaborating as part of an ensemble or company. In 2019, she worked alongside choral master, Steven Harris and conductor, Carlo Rizzi as part of RWCMD’s 70th Anniversary Opera Gala celebration. Upon moving to Cardiff, Kira also became a member of the BBC National Chorus of Wales as a choral Scholar. This provided her with a wealth of performance opportunities, such as regularly appearing live on BBC Radio Three and in televised performances as part of the London Proms in the Royal Albert Hall.

Kira is fiercely dedicated to music and believes that her life will continue to be moulded around music. She is a determined individual who has faced the odds and is aware of the hard work required to be successful. Kira believes that to be a singer is to understand the art of storytelling and she has the commitment and abilities to achieve her goals.

Kira has generously received support to study from a Peter and Janet Swinburn Scholarship, a Girdlers’ Charitable Trust Award, and the Dewar Arts Award. In 2021, Kira won the Eileen Prize Price for lieder singing and the Mabel Linwood Prize.

In May 2022, Kira played the Dutchess of Montalbano, in Lennox Berkeley’s comic opera, A Dinner Engagement. As well as this, she took part in the chorus of RWCMD’s spring production of The Marriage of Figaro in the Sherman Theatre, Cardiff. Kira was also awarded a bursary to perform in the Welsh National Youth Opera’s production of Cheryomushki in October 2022.

How the Award Helped

Kira’s Dewar Arts Award has enabled her to further her studies at the Royal Welsh College of Music and Drama, where she is pursuing a MMus degree in Performance.

Kira Charleton

“Receiving an award from the Dewar Trust has honestly been life changing. It has allowed me to complete my final year of Master’s at the Royal Welsh College of Music and Drama whilst preparing for the next step in my journey. They have allowed a small town girl to keep working towards her big dreams of changing lives through music.”

2018 Awardee: Ceri-Ann Townsend

Ceri-Ann Townsend

“The generosity of the Dewar Arts has been amazing! It means a lot to me and I am so excited to grow as a musician.”

Biography

Ceri-Ann was born in Scotland and has always loved music. She is descended from two musical parents who have performed in rock bands and choirs, and says it’s no wonder she ‘caught the musical bug’.

Ceri-Ann began her musical journey by taking part in dance classes.  When she was three years old, she joined Dance til Dawn and excelled at tap as well as other disciplines. She developed her love of dance as well as singing when she became part of Our Lady of Loretto Youth Players at the age of 10 – an amateur musical theatre company where she played roles such as Oliver, Sandy in Grease and Anita in West Side Story.

Having taught herself piano before taking lessons, Ceri-Ann also took up the trumpet in primary school. She achieved exams in both instruments which continue to be part of her musical repertoire.  Her love of percussion began in her first year at high school and has grown ever since. She has been part of Midlothian percussion ensembles, which played at the Usher Hall in Edinburgh as part of the Midlothian Festival of Music and in Perth for the SBBA percussion competition.  She has also participated in Rotary Young Musician competitions as well as the Edinburgh Youth Orchestra.

Ceri-Ann’s school percussion career included appearances in their productions of Seussical the Musical and Sister Act on the drums, working from professional musical scores. She was also in many concerts, including the school’s first ever Strictly Come Dancing, where she played kit in many different styles and tempos.  One of her proudest achievements has been attaining a place at the Junior Conservatoire in Glasgow in September 2018, specialising in percussion.  She went on to apply for a BA in Music at the RCS from 2020.

How the Award Helped

Ceri-Ann’s Award supported her studies at the Royal Conservatoire of Music in Glasgow and in purchasing a marimba.

Ceri-Ann Townsend

“The generosity of the Dewar Arts has been amazing! It means a lot to me and I am so excited to grow as a musician.”

2019 Awardee: Timothy Edmundson

"Quite simply, without the financial support of the Dewar Awards, I wouldn't be able to undertake my place at the RCS and continue my studies in the opera school. I now look forward to focusing and taking full advantage of the opportunities of the programme without worrying about my finances."

Biography

Timothy is a British baritone who is a graduate of the Royal Conservatoire of Scotland (RCS) with a Bachelor of Music (Honours) and a Master of Music. In 2019, Timothy gained a place at the Alexander Gibson Opera School (RCS) to study under the tutelage of Scott Johnson and Duncan Williams. He is grateful for his studies being supported by the Dewar Arts Awards, the Clemence Charitable Trust, the Kathleen Trust, the McGlashan Charitable Trust, the Mario Lanza Educational Foundation and an RCS Trust Scholarship.

Operatic highlights include his role debuts as Macheath Die Dreigroschenoper and Betto di Signa Gianni Schicchi, both for RCS Opera, Papageno Die Zauberflöte for Berlin Opernfest, the title role in The Marriage of Figaro for Edinburgh Studio Opera and Schaunard La Bohème for Edinburgh Grand Opera. For the 2020/21 season, he was scheduled to sing Curio Giulio Cesare, Minskman Flight, Le Chat in L’enfant et les sortilèges with the BBC Scottish Symphony Orchestra and the role of Count Almaviva in Le nozze di Figaro with Ensemble Orquesta. However, due to Covid-19, these performances were cancelled.

Scenic roles and covers include Faninal Der Rosenkavalier, 1st Lieutenant Billy Budd and Vater Hänsel und Gretel, Sam Trouble in Tahiti, Valentin Faust, Zurga Les Pêcheurs de Perles, Count Almaviva Le Nozze di Figaro, Malatesta Don Pasqaule, Guglielmo Così fan tutte and the title roles in Don Giovanni and Gianni Schicchi. Chorus work has led to him performing at prestigious events such as the Edinburgh International Festival and the BBC Proms under the baton of conductors including Gustavo Dudamel, Daniel Barenboim and Sir Andrew Davis. Works including Mahler Symphony No.2, Stravinsky The Rake’s Progress, Wagner Götterdämmerung and Scottish Opera’s The Fiery Angel by Prokofiev.

On the concert platform, Timothy is in demand throughout the United Kingdom and Europe with repertoire including Handel ‘Messiah’, Duruflé ‘Requiem’, Fauré ‘Requiem’, Puccini ‘Messa di Gloria’, Mozart ‘Requiem’ and Beethoven ‘Symphony No.9’, which he performed at the Glasgow Royal Concert Hall. As a lay clerk with the Choir of Glasgow Cathedral, he is a frequent soloist, and was soloist with them for Haydn’s ‘The Creation’. He has taken part in masterclasses with Patricia MacMahon, Philip Moll, Gidon Saks, Nicky Spence and Christopher Purves.

How the Award Helped

Timothy’s Award enabled him to study at the Alexander Gibson Opera School (RCS) under the tutelage of Scott Johnson and Duncan Williams.

Since the Award

In the 2020/21 season, Timothy became a member of the ‘Bridging the Gap’ scheme with the Dunedin Consort.

Timothy Edmundson performs Papageno’s Suicide Aria in Die Zauberflöte. Recorded live at OpernFest 2018 with Berlin Opera Academy.

"Quite simply, without the financial support of the Dewar Awards, I wouldn't be able to undertake my place at the RCS and continue my studies in the opera school. I now look forward to focusing and taking full advantage of the opportunities of the programme without worrying about my finances."

2020 Awardee: Lea Shaw

Lea Shaw Opera Singer

"Without the support of the Dewar Arts Awards I simply would not have been able to complete my degree. I am forever grateful...This last year has opened up so many doors and opportunities for me!"

Biography

Lea Shaw is an award-winning Mezzo-soprano from the Rocky Mountains of Denver, Colorado.

An accomplished soloist in concert, opera and improvisation, she has performed both locally and worldwide. Her repertoire spans widely, ranging from Handel’s ‘Messiah’, Bach’s ‘St. John Passion’, and the works of Britten, Handel, Bernstein, Purcell, Strauss, to the works of Vaughan Williams, Turnage, Ravel, Macmillan, Schoenberg’s ‘Pierrot Lunaire’ and Maxwell Davies’ ‘The Medium’.

In her solo pursuits, Lea is passionate about the ways in which music can instigate social change and start conversations about the problems we face in contemporary life.  She collaborates regularly with living composers and artists to create installations and new works.

Lea received a first class BMus with honours and a Masters of Music in Vocal Performance at the Royal Conservatoire of Scotland, before going on to study at the RCS’ Alexander Gibson Opera School.

How the Award Helped

Lea’s Award contributed to her final year of tuition at the Alexander Gibson Opera School at the RCS.

Lea Shaw Performing

Lea Shaw Performing

Lea Shaw Opera Singer

"Without the support of the Dewar Arts Awards I simply would not have been able to complete my degree. I am forever grateful...This last year has opened up so many doors and opportunities for me!"

2020 Awardee: Myrna Tennant

myrna tennant singer

"I feel incredibly honoured and grateful to be a recipient of the Dewar Arts Awards. I can say with certainty that I would not have been able to pursue my Artist Masters studies if it had not been for the generous support I received. Thank you!"

Biography

Born in the Netherlands, Myrna started music lessons at a young age, quickly developing a passion for singing. She completed her undergraduate studies at the Royal Conservatoire of Scotland under the tutelage of Helen Lawson, graduating with a Bachelor with Honours of the First Class, after which she spent two years working as a freelance performer and studying on a part-time basis with Wilma MacDougall.

Myrna has performed across the UK in venues like The Bridgewater Hall and Glasgow City Halls. She regularly performs as a solo recitalist and has been the soloist in various oratorios including Haydn’s Missa Sancti Nicolai, Mozart’s Requiem, and Handel’s Messiah. She has also been a soloist in works including Britten’s Rejoice in the Lamb and Vaughan Williams’ Serenade to Music. Opera highlights include the title role in Massenet’s Cendrillon, Galatea (Acis and Galatea), Sandman (Hansel and Gretel), and Héro (Béatrice et Bénédict, scenes).

A keen small ensemble singer, Myrna has sung regularly with RCS Voices, with whom she has recorded for the RSNO and has performed in the St Magnus International Festival, the Aberdeen International Youth Festival, and the Edinburgh Fringe. She is proud to be an alumnus of the Genesis Sixteen 2017/18 programme with Harry Christophers. Myrna has also been an opera chorus member for the RCS, Blackbird Opera, and an RCS/Scottish Opera collaboration.

Myrna has won prizes including the Keldwyth Award, the AESS Courtney Kenny Award, and the Norma Greig French Song Prize, and she was a semi-finalist in the prestigious Handel Singing Competition in 2019. She has participated in courses including British Youth Opera, the Art of Song, and Samling Academy, and has had the benefit of working with outstanding vocal coaches including Patricia McMahon, Roderick Williams, Iain Burnside, Julia Lynch, and Joan Rodgers.

How the Award Helped

Myrna’s Dewar Arts Award helped her on to the Artist Masters programme at the Guildhall School of Music and Drama in London.

myrna tennant singer

"I feel incredibly honoured and grateful to be a recipient of the Dewar Arts Awards. I can say with certainty that I would not have been able to pursue my Artist Masters studies if it had not been for the generous support I received. Thank you!"

2020 Awardee: Roisin Lavery

"I am so honoured to be chosen as a Dewar Artist. This award has allowed me to begin my Masters degree in Vocal Performance at the Royal Conservatoire of Scotland. It has also given me an incredible personal and professional lift as I commence my career as a young opera singer."

Biography

Rosie Lavery is a ‘Ginger Soprano’, described by her tutor Clare Shearer at the Royal Conservatoire of Scotland as ‘innately musical’ with ‘a very special soprano voice that has huge potential’.

Rosie is a Britten-Pears Young Artist 2020, has won the prestigious Governor’s Recital Prize at RCS and was Highly Commended (2nd Place) in the French Song Competition. She has performed recital programmes around Scotland, in venues such as The House of an Art Lover  and Institut Français. She has also completed a residency at the Centre for Contemporary Arts (CCA) in Glasgow as one of two singers in a live art installation names An Atmosphere of Joyful Contemplation’.

Following her love of contemporary music, Rosie was a soloist during RCS Plug Festival, premiering a piece by Graeme Law titled ‘This May be for the best’. She has performed all over Europe, including performances of Donizetti’s L’elisir d’amore’ in the Palazzo Corsini in Florence. She has been the soprano soloist with many choirs in Glasgow, including RCS Voices, Academy of Sacred Music and Glasgow Cathedral Choir.

Rosie has been involved in various projects with the BBC Scottish Symphony Orchestra, including a radio recording of Bartok’s Der Wünderbar Mandarin’. She was selected for the Associate Artist Programme at RCS, working with Karen Cargill in coachings, masterclasses and residencies.

Rosie is also the Musical Director for Sounds International Choir, and the Assistant Musical Director of the St Andrew’s Cathedral Choir. Her ambition is to perform throughout the world.

How the Award Helped

Rosie’s Award enabled her to study a Masters Degree at the RCS with her respected tutor Clare Shearer.

"I am so honoured to be chosen as a Dewar Artist. This award has allowed me to begin my Masters degree in Vocal Performance at the Royal Conservatoire of Scotland. It has also given me an incredible personal and professional lift as I commence my career as a young opera singer."

2019 Awardee: Liam Bonthrone

"I enjoy using my voice not only through performance, but through enriching the lives of others"

Biography

Scottish tenor Liam Bonthrone was born in Perth, where he attended the High School and received free musical tuition as a member of the Perth Jambouree Singers. He credits the choir’s director Edna Auld for his musical inspiration, and his first singing teacher Fiona Brownsmith for nurturing his voice and musical ear from the age of 11.

A community-based project, the choir performed almost every weekend at local events. Liam was encouraged to develop his stage presence, his capacity as compere, and his ability to accompany other singers on piano. As Liam’s voice changed from treble to young tenor, Edna and Fiona guided Liam’s development.  He went on to successfully audition for the Royal Conservatoire of Scotland’s undergraduate voice programme.

Whilst at the Conservatoire, Liam studied with Scott Johnson and won the Hugh S. Roberton Prize for Scottish Singing, the Leonie Kayser Prize and the Elgar/Spedding Lieder Duo Prize. He continued on to postgraduate study at the Guildhall School of Music & Drama, under the tutelage of Robert Dean and Adrian Thompson, and won First Prize in the GSMD English Song Competition.

As an Alvarez Young Artist in the Garsington Opera 2019 Season, Liam performed in the choruses of Don Giovanni and as an ensemble soloist in Monteverdi Vespers of 1610.  In September 2019, he made his role debut as Don Ramiro in La Cenerentola with British Youth Opera and won both the Dame Hilda Bracket Prize from Sadler’s Wells and the Basil A. Turner Opera Award for his performances.

Liam has performed in masterclasses led by Sir Willard White, Malcolm Martineau, Ann Murray, John Treleaven, John Mark Ainsley and Roger Vignoles. On the concert platform, solo performances have included Handel Messiah and Samson, Mendelssohn Elijah, Mozart Requiem and Mass in C minor, Haydn The Creation, Bach St John Passion, Finzi For St. Cecilia and the Scottish premiere of Joubert’s St. Mark Passion. He also appeared in various roles in the ensemble for Bernstein’s Candide, with the London Symphony Orchestra, conducted by Marin Alsop, in the Barbican Centre.

Liam is in high demand as a recitalist; in 2019, he performed alongside the Prince Consort at the Wigmore Hall, and in Graham Johnson’s Song Guild at Milton Court. He was a featured soloist in the April 2019 BBC Boulanger sisters’ ‘Total Immersion’ weekend, later broadcast on BBC Radio 3, and he frequently performs in collaboration with pianist Alasdair Hogarth for Classic FM.

Highlights of the 2019/2020 season include an appearance in a concert celebrating the work of composer Julian Philips, Handel’s Samson at Haddo House, and performing his International debut as Bruno in Bellini’s I Puritani with the Rotterdam Operkoor, in De Doelen.

How the Award Helped

Liam received a Dewar Arts Award to support his postgraduate studies at the Guildhall School of Music and Drama.

Since the Award

Update 2020:

In February 2020, Liam sang Russian songs as part of an exchange project at the Mariinsky Theatre, in St Petersburg. He also gained the opportunity to undertake training as a Samling Young Artist.

Alongside a classical singing career, Liam appears regularly in theatres across the UK as part of ‘The Two Highland Lads’, a Scottish variety performing duo, with baritone Kenneth Maciver (also a member of Jambouree), Leonard Brown and his All-Star Band. He has since returned to his hometown of Perth to assist Edna Auld in the training of young voices in the choir, and to perform in charity fundraising concerts.

From September 2020, Liam will study at the Royal Academy Opera School, as a recipient of a Bicentenary Scholarship.

"I enjoy using my voice not only through performance, but through enriching the lives of others"

2018 Awardee: Colin Murray

"Without the award I received from the Dewar Arts Awards it would not have been possible to complete my studies. Thanks to their incredible generosity, I am now able to move forward into life as a professional singer."

Biography

Colin Murray discovered singing at a young age, taking part in the National Boys Choir of Scotland before graduating to the National Youth Choir of Scotland. Through NYCoS, Colin had the privilege of singing in some of Europe’s finest concert venues whilst he was still a teenager. These experiences, alongside the top musicianship training offered, gave him the passion and the opportunity to pursue singing further by gaining entry to the Royal Conservatoire of Scotland.

Colin’s operatic engagements include the role of ‘Harry Easter’ in The RCS production of Kurt Weill’s ‘Street Scene’, the title role in Victor Ullman’s ‘Der Kaiser von Atlantis’ and covering the role of ‘Belcore’ at the inaugural New Generation Festival in Florence. In his time at the RCS he performed several roles, including ‘Le Roi Mark’ in a rare staged performance of Frank Martin’s ‘Le Vin Herbe’, ‘Don Alfonso’ in Mozart’s ‘Cosi Fan Tutte’ and ‘Father’ in Humperdinck’s ‘Hansel und Gretel’ in a performance opening the 2016 Saint Magnus Festival on Orkney. Outside the RCS, Colin is a founding member of the company Raucous Rossini, and has performed the roles of ‘Blansac’ in ‘La Scala di seta’ touring Britain and Italy.

Colin is an accomplished concert soloist and award-winning ensemble singer. He works regularly with many of Scotland’s biggest choral societies and recent high-profile appearances have included Elgar’s ‘Dream of Gerontius’ and Walton’s ‘Belshazzar’s Feast’ at Glasgow’s City Halls.  He is passionate about ensemble singing and in 2017 won the Governor’s Recital Prize for Chamber Music at the Royal Conservatoire, part of the first vocal ensemble ever to do so. Colin is a founding member of the ‘RCS Voices’ and a regular choral scholar with the choir of Paisley Abbey.

How the Award Helped

Colin’s award supported him in completing his postgraduate studies at the Alexander Gibson Opera School at the Royal Conservatorie of Scotland, where he studied with Scott Johnson.

"Without the award I received from the Dewar Arts Awards it would not have been possible to complete my studies. Thanks to their incredible generosity, I am now able to move forward into life as a professional singer."

2018 Awardee: Grace Wain

"I am so very thankful for my Dewar Award. It would have been impossible for me to participate in the masterclasses without financial help and I'm incredibly grateful for the generous support that I have received."

Biography

Grace is originally from Lincolnshire and went on to study at The Royal Welsh College of Music and Drama with Suzanne Murphy.  She graduated in 2014 with an MA in Opera Performance and a 1st Class BMus (Hons).  During her time at RWCMD she has appeared in concerts with the College Chorus and Symphony Orchestra as well as lunchtime recitals as a chorus member and as a soloist.  After moving to Scotland in 2014, Grace studied with Patricia MacMahon.

Grace’s operatic work includes; Zweite Dame/Zweite Knabe in Die Zauberflöte (Escales Lyriques), Dryade (Cover) in Ariadne auf Naxos (Scottish Opera),La Ciesca in Gianni Schicchi (Les Azuriales), 2nd Bridesmaid (Cover)/Chorus in Le Nozze di Figaro and Chorus in Eugene Onegin, Aleko/Francesca da RiminiLa Traviata, IolantaLa bohèmeLe VilliL’amico FritzPelléas et MélisandeThe MikadoRusalkaCarmen and Madama Butterfly (all Scottish Opera). Chorus in HMS Pinafore, Princess Ida, The Mikado and The Pirates of Penzance (all The National Gilbert and Sullivan Opera Company), Jennifer/The Creator in My Perfect World (Welsh National Opera Outreach Workshop), 2nd Lady in The Magic Flute (RWCMD), Stewardess (Cover) in Flight (RWCMD), Bianca and Auntie in Britten’s Women (RWCMD at The Bath International Music Festival), Bianca in The Rape of Lucretia (RWCMD), Chorus in The Bartered Bride and Chorus in Le Nozze di Figaro (both British Youth Opera).

In scenes, she has also sung: Componist in Ariadne auf Naxos (with orchestra), Rosina in Il barbiere di SivigliaDorabella in Così fan tutteCarmenIdamante in IdomeneoCendrillon (with orchestra), Meg in FalstaffCharlotte in Werther (with orchestra) (all RWCMD), and Hansel (Opera’r Ddraig).

Grace’s oratorio performances include: Handel Messiah, Haydn Stabat Mater, Mozart Regina Coeli KV 267Rutter Feel the Spirit, Mozart Requiem, Mozart Coronation Mass, Britten Ceremony of Carols, Vivaldi Gloria and Magnificat and Pergolesi Stabat Mater.

Grace was a finalist in Ljuba Welitsch International Vocal Compeition 2017, Les Azuriales competition 2016, semi-finalist in The Mozart Competition 2013, a finalist in The Thelma King Award 2013 and 2014, and she was chosen to compete in the prestigious Kathleen Ferrier Bursary Award in 2009. Additional engagements include: Prince Charmant in Cendrillon (Fife Opera) and Chorus in Edgar (Scottish Opera).

How the Award Helped

In 2018, Grace was chosen to participate in the residential Song Masterclass with Malcolm Martineau at Crear Space to Create. Her Dewar Arts Award enabled her to take up this opportunity.

Grace writes; “The masterclasses have truly been a turning point for me, as they gave me a safe environment to explore and discover different repertoire whilst finding new confidence in myself and in what I have to offer as an artist.”

"I am so very thankful for my Dewar Award. It would have been impossible for me to participate in the masterclasses without financial help and I'm incredibly grateful for the generous support that I have received."

2018 Awardee: Stephanie Maitland

"I cannot thank the Dewar Arts Awards enough for their generous funding. Without their support, I would be unable to attend this wonderful institution and I am so grateful...for the chance to further my studies."

Biography

Stephanie has always had a passion for singing. She studied her undergraduate degree at the Royal Conservatoire of Scotland on a scholarship where she achieved an Honours Degree of the First Class. During her time there, she participated in a masterclass with Meribeth Bunch Dayme, received coaching from Rachel Nicholls and partook in many poignant choral engagements. She sang the role of Hermia in Britten’s A Midsummer Night’s Dream in the RCS Opera Scenes and was a member of the chorus of the Conservatoire’s production of Die Fledermaus in May of 2017.

Stephanie was part of the launch of the Piccalilli Opera Company; a new budding opera company based in the Yorkshire area. She has also worked closely with the Charles Rennie Mackintosh Society by putting on various concerts in the Charles Rennie Mackintosh church and the House for an Art Lover.

Over the summer of 2017, she joined Opera Bohemia on their sell-out tour around Scotland as a member of the chorus in their production of Bizet’s The Pearl Fishers. She also attended her second British Youth Opera summer workshop as well as attending the Oxenfoord International Summer School.

Having gained a scholarship to study at the Royal Northern College of Music, Stephanie sang the role of Mercedes in Bizet’s Carmen in 40minutes, participated in a weekend residency with Opera North working with Nicholas Kok and Tim Albery, and sang in a masterclass with Andrew Shore. She was also involved in the first recording of Cellier’s Dorothy with Richard Bonynge and Victorian Opera Northwest singing the role of Phyllis (released in Febuary 2019 by NAXOS).

Stephanie was also a finalist in the Frederick Cox Award and has sang in various charity concerts and opera galas throughout the year. She portrayed the Sandman in RNCM’s spring production of Humperdinck’s Hansel and Gretel, conducted by Anthony Kraus and directed by Stephen Medcalf. She was also involved in Clonter Opera’s Spring Opera Showcase singing a variety of repetoire and working with Michael McCaffery and Anthony Legge.

In summer 2018, Stephanie sang with Buxton International Festival, singing chorus in Mozart’s Idomeneo, conducted by Nicholas Kok and directed by Stephen Medcalf, and singing chorus and covering the role of Zuma in Verdi’s Alzira, conducted by Stephen Barlow and directed by Elijah Moshinsky. Additional engagements include singing the roles of La Principessa in Suor Angelica and Zita in Gianni Schicchi in RNCM’s Puccini double bill, directed by Robert Chevara and conducted by Marin Andre.

Stephanie is very grateful to be supported by The Sir James Caird’s Travelling Scholarship Trust and the Dewar Arts Awards.

How the Award Helped

Stephanie’s Award supported her in studying on the Masters in Vocal Performance course the Royal Northern College of Music.

"I cannot thank the Dewar Arts Awards enough for their generous funding. Without their support, I would be unable to attend this wonderful institution and I am so grateful...for the chance to further my studies."